For their presentation “Report on the Construction of a Spaceship Module,” tranzit transformed the Fifth Floor gallery of the New Museum into the simulated interior of a spaceship – until April 13th

The vessel is inspired by the spacecraft in the iconic Czech science-fiction filmIkarie XB-1 (1963), which melded postwar utopianism with Soviet utilitarianism. In its structure and design, it recalls future fantasies from the socialist Eastern European side of the Iron Curtain and explores the ideological role that outer space played during this time. On view in and around the spacecraft will be 117 artworks, including video, sculpture, print, and installation, by artists hailing primarily from cities around Eastern Europe, notably Vienna, Prague, Budapest, Bucharest, and Bratislava, all of whom tranzit has worked with previously.

“Report on the Construction of a Spaceship Module” offers an allegory of “anthropological science fiction,” where the exhibition space becomes an estranged and exciting universe that dramatizes the cross-cultural translation involved in the presentation of art. The unique model evokes the challenges that contemporary artists experience in exhibiting works, or that curators come across in organizing exhibitions that stitch together diverse artworks, selected across generation, cultural context, personal narratives, and time.

This ambitious exhibition is guest curated for the New Museum by tranzit, a network of autonomous but interconnected organizations based in Austria, the Czech Republic, Hungary, Romania, and Slovakia. Much like the Museum as Hub program (the New Museum’s international partnership through which the exhibition is produced), tranzit organizations actively collaborate with each other, but also work independently to produce art historical research, exhibitions, and new commissions. The work included in this exhibition—all made by artists that tranzit has worked with in some capacity or, alternately, documentation of events or exhibitions that tranzit has staged—constitutes an experimental archive of the organization’s work.


Anna Artaker, Babi Badalov, Zbyněk Baladrán, László Beke, Walter Benjamin, Mihuț Boșcu Kafchin, Vladimír Boudník, Ondřej Buddeus, Erick Beltrán, Derya Bengi, Igor and Ivan Buharov, Luis Camnitzer, Josef Dabernig, Curatorial Dictionary, Orshi Drozdik, Miklós Erdély, Stano Filko, Zsuzsi Flohr, János Fodor, Andreas Fogarasi, Heinz Frank, Paweł Freisler, Tomislav Gotovac, Reesa Greenberg, Ion Grigorescu, Lukáš Jasanský & Martin Polák, David Karas, Sung Hwan Kim, Tamás Király, Barbora Kleinhamplová, Július Koller, Igor Korpaczewski, Eva Koťátková, Jiří Kovanda, KWIEKULIK (Zofia Kulik/Przemysław Kwiek), Denisa Lehocká, Václav Magid, Elin Magnusson, János Major, Ján Mančuška, Piet Mondrian, Deimantas Narkevičius, Paul Neagu, Ioana Nemes, Boris Ondreička, Parallel Chronologies – An Archive of East European Exhibitions, Dan Perjovschi, Lia Perjovschi, Walter Pichler, François Piron, Łukasz Ronduda, Gábor Roskó, Hedwig Saxenhuber, Ernst Schmidt Jr., Ruti Sela, Katarina Sević, Catarina Simão, Société Réaliste, Tereza Stejskalová, Tamás St.Turba, János Sugár, Sweet Sixties: Local Modernities and Musical Turkey in the 1960s, Eszter Szakács, Avdey Ter-Oganyan, Goran Trbuljak, Florin Tudor, Zsuzsi Ujj, Mona Vătămanu, Jan Verwoert, Krzysztof Zarebski.


A related exhibition, “Report on the Reconstruction of the Past” featuring work by Eva Koťátková and Barbora Klímovám, will run concurrently with “Report on the Construction of a Spaceship Module” at the Czech Center, New York.

Watch the video



 Babi Badalov, Nuage (Cloud), 2009

Babi Badalov, Nuage (Cloud), 2009

Krzysztof Zarebski, Flowers, 1971

Krzysztof Zarebski, Flowers, 1971

Stano Filko, Sculpture of the Twentieth Century, 1968-69

Stano Filko, Sculpture of the Twentieth Century, 1968-69


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